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Kamercultures

Cinema and Social Discourse in Cameroon

  • Cinema and Social Discourse in Cameroon

Date de sortie : Lundi 31 janvier 2005
Genre : Essai

ISBN du livre : 3-927510-82

Année : 2005
Rubrique : Cinéma/tv

Partagez :

Alexie Tcheuyap (ed), Cinema and Social Discourse in Cameroon

INTRODUCTION

Alexie Tcheuyap. Poverty, Cinema, and Politics: The Trouble with Images in Cameroon: 1-20


PART ONE: THE STATE, IMAGES AND CULTURAL DISCOURSES

Gilbert Doho. The Illegitimate State and Cinematographic Discourse in Cameroon: 21-38
Bole Butake. Cinema, CRTV, and the Cable Television Syndrome in Cameroon: 39-62
Boulou E. de B'béri. Intermedial Location of Meaning in Muna Moto: A Metalanguage of Cultural Discourse: 63-82
Edmond Mfaboum. Social Cries and Political Silences in the First Films of Daniel Kamwa and Dikonguè-Pipa: 83-110


PART TWO: POSTCOLONIAL (DE)CONSTRUCTIONS

Jonathan Haynes. African Filmmaking and the Postcolonial Predicament: Quartier Mozart and Aristotle's Plot: 111-138
Alain Patrice Nganang. Deconstructing Authority in Cinema: Jean-Marie Teno: 139-158.
Sheila Petty. Postcolonial Geographies: Landscape and Alienation in Clando: 159-172
Alexie Tcheuyap. Discourses of Constraint and of the Occult: Representations of the (Post)Colony in Cameroonian Cinema 173-196.
P. Julie Papaioannou. "Reel" Fiction in Cameroonian Cinema: The Postcolonial Re-shaping of Cultural Reality 197-222


PART THREE: WRITING BACK AND THEORETICAL CHALLENGES

Sarah B. Buchanan. Untraditional Tradition: Orality and Gender in Quartier Mozart 223-251.
Kenneth W. Harrow. The Advent of the Panopticon: From Ahidjo to Sango Malo. 251-276
Armelle Cressent. Bassek Ba Kobhio's film Le Grand Blanc de Lambaréné: A Film for Rethinking the "Grand Blanc" in the Social Sciences. 277-304
Scott Homler. Love Child: Mimesis and Paternity in Claire Denis' Chocolat. 305-324


APPENDIX

Etienne-Marie Lassi. Cinema in Cameroon: Filmography and Bibliography. 325-338

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